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Rationale:
Dance as an intense kind of performance is associated with high loads on the musculoskeletal system. In particular, the lower limb is exposed to these high loads, which is reported by a high prevalence. Most dancers are affected by injuries during their careers, most in the lower limb. Typical risk factors for dancers include the compensatory turnout, hypermobility, and core stability. The correlation between these factors and lower limb injuries is not fully understood.
Purpose:
The aim of this study was to evaluate the correlation between lower limb injuries and the risk factors compensated turnout, hypermobility and core stability. Based on these results, hypotheses can be generated for further studies.
Methods:
This explorative pilot study was conducted at Osnabrück University of Applied Sciences. All eligible participants were scheduled for a single research appointment if they fulfilled the inclusion criteria of dance experience (ballet, modern, contemporary or jazz) at least one year with dance lessons of at least 5 hours per week. Parameters for the correlation analysis were (1) core stability, measured by the motor control tests battery proposed by Luomajoki, (2) hypermobility, measured by the Beighton Score (3) compensated turnout, measured by the difference between functional turnout and external rotation of both hips, (4) dance hours per week, (5) dance experience in years, (6) professional dance experience in years and (7) dance style (ballet, modern, contemporary, jazz). These parameters were correlated with the numbers of lower limb injuries. Significance level was set at 90% because of the explorative character of the study with the purpose to generate hypotheses.
Results:
Sixteen female dancers with different levels of dance experience (mean 11.3 years) and dance lessons per week (mean 17.6 hours) fulfilled the inclusion criteria and participated in this study. Significant correlations with the numbers of lower limb injuries were found at core stability (rs=0.489, p=0.034, medium effect), dance hours per week (rs=0.459, p=0.048, medium effect) and professional dance experience in years (rs=0.396, p=0.093, medium effect). Two dance styles (modern dance: rs=0.388, p=0.101 and contemporary dance: rs=0.385, p=0.104) were close to the significance level.
Conclusions:
These results show correlations between core stability, dance hours per week, professional dance experience in years and lower limb injuries in dancers.
Due to the limitations of a small and heterogeneous sample size as well as the medium effects, these results should be interpreted with caution, but may provide a basis for further research to this topic in the field of dance research and can be helpful in generating research hypotheses.
Rationale:
Performing artists are exposed to high strains during their performance. These strains are similar to the ones of professional athletes, but in contrast to athletes there is a comprehensive undersupply of care regarding preventive and rehabilitative therapy offers.
Purpose:
The purpose of RefLabPerform is to develop a reference laboratory for the assessment of neuromusculoskeletal disorders using physiotherapeutic assessment methods in combination with biomechanical motion analysis. This includes the automatized integration of the physiotherapeutic assessments with the technical biomechanical analysis for an individual treatment recommendation with decentralized health care recommendations for a home-based therapy based on evidence-based prevention and rehabilitation strategies.
Methods:
Several work packages are processed systematically, whereby according to the requirements in the course of the project an overlapping of work packages occurs. First, the component planning of the innovative reference laboratory structure is carried out, on which the clinical and technical development of the reference laboratory is based. The next steps are the development of individual clinical assessment protocols, prevention and rehabilitation strategies as well as the setup of the laboratory and the development of technical routines. Parallel to this, various analysis tools are being developed for biomechanical data as well as for physiotherapeutic diagnostics and merged at the end of this work package for individual results for different groups of performing artists. Overlapping with the previous work packages, the reference laboratory will be tested for application and manageability. Clinical and technical data are brought together and checked by means of individual case trials on various groups of artists. In terms of an agile software development process, the results flow back into the previous work packages in order to optimize them and then test them again.
Results:
At the end of the project a functional and proven reference laboratory for the comprehensive analysis of performing artists will be developed.
Conclusions:
This reference laboratory is specialized to the diagnosis and treatment of playing- and performance-related dysfunctions with a focus on clinical findings and biomechanical movement analysis.
Educational Objectives:
At the end of the presentation, the participants will be able to…
1. describe the innovative content of the project RefLabPerform
2. understand the advantages of merged analysis strategies by physiotherapeutic and biomechanical examinations
3. understand the complex interdisciplinary process to develop a reference laboratory for performing artists
Rationale:
Performing artists are exposed to high strains during their performance. These strains are similar to the ones of professional athletes, but in contrast to athletes there is a comprehensive undersupply of care regarding preventive and rehabilitative therapy offers.
Purpose:
The purpose of RefLabPerform is to develop a reference laboratory for the assessment of neuromusculoskeletal disorders using physiotherapeutic assessment methods in combination with biomechanical motion analysis. This includes the automatized integration of the physiotherapeutic assessments with the technical biomechanical analysis for an individual treatment recommendation with decentralized health care recommendations for a home-based therapy based on evidence-based prevention and rehabilitation strategies.
Methods:
Several work packages are processed systematically, whereby according to the requirements in the course of the project an overlapping of work packages occurs. First, the component planning of the innovative reference laboratory structure is carried out, on which the clinical and technical development of the reference laboratory is based. The next steps are the development of individual clinical assessment protocols, prevention and rehabilitation strategies as well as the setup of the laboratory and the development of technical routines. Parallel to this, various analysis tools are being developed for biomechanical data as well as for physiotherapeutic diagnostics and merged at the end of this work package for individual results for different groups of performing artists. Overlapping with the previous work packages, the reference laboratory will be tested for application and manageability. Clinical and technical data are brought together and checked by means of individual case trials on various groups of artists. In terms of an agile software development process, the results flow back into the previous work packages in order to optimize them and then test them again.
Results:
At the end of the project a functional and proven reference laboratory for the comprehensive analysis of performing artists will be developed.
Conclusions:
This reference laboratory is specialized to the diagnosis and treatment of playing- and performance-related dysfunctions with a focus on clinical findings and biomechanical movement analysis.
Educational Objectives:
At the end of the presentation, the participants will be able to…
1. describe the innovative content of the project RefLabPerform
2. understand the advantages of merged analysis strategies by physiotherapeutic and biomechanical examinations
3. understand the complex interdisciplinary process to develop a reference laboratory for performing artists
Bert Hummel hat seit zwei Wochen starke Schulterschmerzen. Seit Kurzem schwindet zudem seine Kraft in der Schultermuskulatur. Sein Hausarzt diagnostiziert ein „zervikobrachiales Syndrom“. Doch für Physiotherapeut Harry von Piekartz stellt sich die Schulterproblematik ganz untypisch dar. Das gilt besonders für die neurologischen Symptome.
Ernst Kober ist seit mehreren Monaten krankgeschrieben – aufgrund von Schmerzen im Nacken, Rücken und der Hand. Er denkt, seine Arbeit sei der Grund für seine Beschwerden – eine Yellow Flag? Physiotherapeut Harry von Piekartz findet noch mehr dieser Flaggen. Doch es stellt sich heraus: Deren Farbe hätte eigentlich eine andere sein müssen.
Seit der Trennung von ihrem Freund klagt die 32-jährige Anne über morgendliche Kopfschmerzen, Parästhesien am Hinterkopf, Schwindel und verspannte Kiefermuskeln. Lange bleibt für ihren Hausarzt, die Psychologin und Physiotherapeut Professor Harry von Piekartz unklar, was die Symptome auslöst. Denn der Unruhestifter ist unsichtbar.
Mitten in der Vorbereitung auf ein Turnier bekommt Wasserballerin Anja stechende Schmerzen in ihrer linken Flanke. Physiotherapeut Dr. Harry von Piekartz vermutet zunächst eine Nierenpathologie. Doch die bestätigt sich nicht. Bei der körperlichen Untersuchung entdeckt der Therapeut die eigentliche Schmerzquelle: eine Laune der Natur.
Als Jane mit ihrer kleinen Schwester tobt, schießt ihr plötzlich ein starker Schmerz in Nacken und Kopf. So weit nicht ungewöhnlich und eine Indikation für Physiotherapie. Doch als die junge Studentin erzählt, dass der Kopfschmerz pulsierend ist, wird ihr Therapeut hellhörig und stellt die entscheidenden Fragen.
Seit Jahren schon hat Sarah J. das Gefühl, immer müder und weniger belastbar zu werden. Selbst im Garten schafft sie kaum noch was. Liegt es wirklich nur am Verlust ihres Mannes? Zunehmende Zahn- und Kieferschmerzen und Schmerzen im Thorax führen sie zur Physiotherapie. Dort rückt eine andere Vermutung in den Fokus.
Sabine Krener ist enttäuscht. Sie bereitet sich auf einen Halbmarathon vor, hat aber zunehmend Probleme beim Laufen. Dass ihre Achillessehne schmerzt, kennt sie schon seit Jahren – nun wird es aber schlimmer, und es treten zudem ständig Krämpfe im rechten Bein auf. Zu allem Überfluss hat sie in den letzten sechs Wochen acht Kilo zugenommen.
Nach einer Bandscheiben-OP entwickelt Ina Zeiß diffuse Schmerzen im linken Bein und dumpfe Kopfschmerzen. Auch der seit fünf Jahren bestehende Tinnitus hat sich verstärkt. Die Symptome sind sehr wechselhaft und nicht durch Physiotherapie zu beeinflussen. Physiotherapeutin Fiona Morrison merkt schnell, dass dies keine typischen postoperativen Beschwerden sind, und schickt die Patientin zurück zum Arzt.
Renate K. hat Schmerzen im Nacken, in der Schulter, im Arm und in der gesamten Hand. Doch die Symptome kommen Physiotherapeut Prof. Dr. Harry von Piekartz seltsam vor. Sie entsprechen keinem muskuloskeletalen Muster. Zudem ist Frau K. grundlos heiser – und hat eine verdickte Stelle hinter dem M. pectoralis major.
Ein Fallbericht mit medizinischem Hintergrundwissen von Prof. Dr. Christoff Zalpour.
Beate Hansen kommt mit akuten thorakolumbalen rechtsseitigen Schmerzen in die Physiotherapiepraxis von Harry von Piekartz. Auf den ersten Blick scheint sie ein klassischer „manueller“ Fall zu sein. Warum sie es nicht ist und was eine Diät mit Rückenschmerzen zu tun haben kann, lesen Sie in diesem Fall.