Refine
Year of publication
Document Type
- Article (80)
- Conference Proceeding (17)
- Book (7)
- Part of a Book (3)
- Other (1)
Is part of the Bibliography
- yes (108)
Keywords
- performing artists (4)
- physiotherapy (4)
- Bedarfsanalyse (2)
- Physiotherapie (2)
- Sonografie (2)
- biomechanics (2)
- clinical examination (2)
- musculoskeletal (2)
- musicians (2)
- Betriebliche Gesundheitsförderung (1)
Institute
- Fakultät WiSo (108)
- Fakultät IuI (1)
Wozu betriebliche Gesundheitsförderung? : Eine Bedarfsanalyse an der Fachhochschule Osnabrück
(2010)
Hintergrund
Betriebliche Gesundheitsförderung ist ein Instrument, um auf die gesamtgesellschaftlichen und strukturellen Veränderungen, die an Hochschulen gestellt werden, zu reagieren. Um betriebliche Gesundheitsförderung an der Fachhochschule Osnabrück zu etablieren, wurde zunächst der Bedarf analysiert.
Methode
Der Bedarf an betrieblicher Gesundheitsförderung wurde mittels Web-basierter, schriftlicher Mitarbeiter- und Studierendenbefragung erhoben und hinsichtlich der Statusgruppen differenziert ausgewertet.
Ergebnisse
Es bestehen signifikante Unterschiede sowohl im Gesundheitsverhalten als auch im Gesundheitszustand der Beschäftigten und Studierenden. Nackenschmerzen sind bei Mitarbeitern häufiger, wohingegen Studierende stärkere psychische Belastungen angaben. Auch die Erwartungen an BGF unterscheiden sich hinsichtlich der Statusgruppen.
Schlussfolgerung
Die Angehörigen der Fachhochschule Osnabrück weisen insgesamt einen relativ guten Gesundheitszustand auf, dennoch zeigte die Bedarfsanalyse die Notwendigkeit und auch das Potential für BGF-Maßnahmen auf.
Hintergrund Die physiotherapeutische Dokumentation spielt im Therapieprozess eine wichtige Rolle, erfolgt jedoch auf unterschiedlichste Weise. Es existieren derzeit eine Vielzahl von Softwarelösungen für die physiotherapeutische Dokumentation, welche sich jedoch in ihren Funktionalitäten stark unterscheiden. Ziel Mithilfe einer Befragung soll ein Konsens von Expertenaus der Physiotherapie im Themengebiet der softwarebasierten Dokumentation ermittelt werden. Anhand der Ergebnisse wird ein Anforderungskatalog für die Entwicklung einer neuartigen und benutzerorientierten Dokumentationssoftware erstellt. Methode Online-Delphi-Befragung mit neun Experten über drei Befragungswellen.
Ergebnisse Hinsichtlich der Anforderungen an die Anamnese konnte ein Konsens erzielt werden. Bei der Gliederung des Befundes kam es zu keiner Übereinstimmung der Experten. Das Ergebnis lässt sich durch unterschiedliche manualtherapeutische Konzepte erklären, die für die Befunderhebung verwendet wurden. Schlussfolgerung Eine softwarebasierte Dokumentation sollte standardisierter als bisher erfolgen, um den ClinicalReasoning-Prozess zu unterstützten. Gleichzeitig ist dabei eine gewisse Flexibilität geboten. Die gesammelten Anforderungen können für die Entwicklung einer neuartigen und benutzerorientierten mobilen Anwendung zur Effizienzsteigerung in der physiotherapeutischen Dokumentation verwendet werden.
Musicians often suffer from disorders of the musculoskeletal system that are related to their instrument playing. Among the most frequent symptoms are complaints in the shoulder-neck area. Radial shock wave therapy is increasingly used in trigger point treatment, but only few high-level studies have examined of shock wave therapy used together with physical therapy in the treatment of musicians. METHODS: This randomized blinded study in musicians (n = 26) with nonspecific shoulder-neck problems was done to examine the effect of shock wave therapy in addition to current physical therapy on the symptoms and quality of life of the musicians as well as their habits of playing musical instruments (intervention group shock wave vs reference group placebo). The effects were documented by a pain VAS and other instruments. A questionnaire designed specifically for musicians (with initial and final questions) recorded intensity and manifestation of pain and handicaps in daily life, especially when practicing and playing. The Shoulder Pain and Disability Index (SPADI) and the Neck Pain Disability Index Questionnaire (NPDIQ) were also used. RESULTS: Both groups reported subjective improvement in pain, but significance was found only for the intervention group for the SPADI and NPDIQ. CONCLUSIONS: Trigger point treatment with radial shock wave used in combination with physical therapy makes the subjects feel temporarily relieved of neck and shoulder pains. The effects of radial shock wave without physical therapy will need to be examined in further studies.
Rationale
Playing the trombone can lead to playing-related musculoskeletal disorders (PRMD). Previous research suggests that professional trombonists predominantly struggle with PRMD on the left body side. An increasing volume leads to an increasing contact pressure on the mouthpiece of the trombone, but it is still unclear how the muscle activity relates to this and whether it differs in musicians with PRMD from those without PRMD.
Purpose
The purpose of this study was to investigate the relationship between the activity of different muscles of the left body side, the contact pressure on the mouthpiece and the volume level in healthy trombonists.
Methods
Six male healthy tenor trombonists were included in this study and run through a standardized protocol which consisted of playing a b-flat major scale with three different volume levels (pianissimo, mezzoforte, fortissimo). Analyzed parameters were (1) the activity of several muscles of the left body side (measured with surface electromyography), (2) the contact pressure on the mouthpiece (measured with a force sensor) and (3) the different volume levels.
Results
Analysis of variance reveals significant differences of the muscle activity for the three volume levels. Depending on the volume level and the selected muscle, results show very weak to moderate correlations between contact pressure on the mouthpiece and muscle activity (Spearman´s rho between .11 and .58). The strongest correlation across all muscles occurs during fortissimo playing.
Conclusions
These results show a relationship in healthy trombonists between volume level, contact pressure on the mouthpiece and muscle activity when playing a b-flat major scale. Future research should include trombonists with PRMD to enable comparison between PRMD and non-PRMD musicians.
Educational Objectives:
At the end of the presentation, the participants will be able to…
1. understand the relationship between muscle activity, contact pressure on the mouthpiece and volume when playing the trombone
2. recognize that there are different muscle activity patterns on the left body side when playing the trombone
3. understand that a comprehensive functional diagnosis is important in the management of musicians
Background: Muscle fatigue has been reported as a risk factor for the
development of performance-related musculoskeletal disorders (PRMD) in
musicians. However, little research exists to support this claim. The aim of
this study was to investigate whether changes occur in muscle activity
patterns during high string performance over a prolonged playing period, and
whether this is influenced by PRMD.
Methods: High string musicians were divided into a PRMD and a non-PRMD
group. They played a chromatic scale pre and post and a self-chosen “hard”
(Borg scale 16-17) piece of music for one hour. Electromyography data
recorded from arm, shoulder and trunk muscles was analyzed: the amplitude
to measure muscle activity characteristics and the lower frequency to
measure muscle fatigue. Differences between and within groups and the
frequency spectrum were analyzed using linear mixed models.
Results: Fifteen musicians participated (7 PRMD: 22.8 years, 2 male/5 female
and 8 non-PRMD: 34.3 years, 2 male/6 female). Changes in muscle activation
patterns were observed between and within both groups, however changes
varied significantly depending on group affiliation. Significant low frequency
spectrum changes between groups were observed in overall muscles of the
right arm (p=0.04) and left forearm flexors (p=0.05) following one hour of
playing.
Conclusions: Muscle activity and frequency spectrum shifts differ in high
string musicians with and without PRMD, suggesting possible differential
muscle fatigue effects between the groups.
Background
Osteoarthritis of the knee is the most common cause for disability and limited mobility in the elderly, with considerable individual suffering and high direct and indirect disease-related costs. Nonsurgical interventions such as exercise, enhanced physical activity, and self-management have shown beneficial effects for pain reduction, physical function, and quality of life (QoL), but access to these treatments may be limited. Therefore, home therapy is strongly recommended. However, adherence to these programs is low. Patients report lack of motivation, feedback, and personal interaction as the main barriers to home therapy adherence. To overcome these barriers, electronic health (eHealth) is seen as a promising opportunity. Although beneficial effects have been shown in the literature for other chronic diseases such as chronic pain, cardiovascular disease, and diabetes, a systematic literature review on the efficacy of eHealth interventions for patients with osteoarthritis of knee is missing so far.
Objective
The aim of this study was to compare the efficacy of eHealth-supported home exercise interventions with no or other interventions regarding pain, physical function, and health-related QoL in patients with osteoarthritis of the knee.
Methods
MEDLINE, CENTRAL, CINAHL, and PEDro were systematically searched using the keywords osteoarthritis knee, eHealth, and exercise. An inverse variance random-effects meta-analysis was carried out pooling standardized mean differences (SMDs) of individual studies. The Cochrane tool was used to assess risk of bias in individual studies, and the quality of evidence across studies was evaluated following the Grading of Recommendations, Assessment, Development, and Evaluation approach.
Results
The literature search yielded a total of 648 results. After screening of titles, abstracts, and full-texts, seven randomized controlled trials were included. Pooling the data of individual studies demonstrated beneficial short-term (pain SMD=−0.31, 95% CI −0.58 to −0.04, low quality; QoL SMD=0.24, 95% CI 0.05-0.43, moderate quality) and long-term effects (pain −0.30, 95% CI −0.07 to −0.53, moderate quality; physical function 0.41, 95% CI 0.17-0.64, high quality; and QoL SMD=0.27, 95% CI 0.06-0.47, high quality).
Conclusions
eHealth-supported exercise interventions resulted in less pain, improved physical function, and health-related QoL compared with no or other interventions; however, these improvements were small (SMD<0.5) and may not make a meaningful difference for individual patients. Low adherence is seen as one limiting factor of eHealth interventions. Future research should focus on participatory development of eHealth technology integrating evidence-based principles of exercise science and ways of increasing patient motivation and adherence.
Das 10-jährige Bestehen physiotherapeutischer Studiengänge in Deutschland gibt Gelegenheit, Bilanz zu ziehen und die weitere Entwicklung zu überlegen. Der Artikel soll insbesondere auch jungen Kollegen Orientierung darüber geben, was es mit den verschiedenen Programmen und Abschlüssen auf sich hat und auf welche Qualitätsmerkmale zu achten ist.
background: Musculoskeletal problems (MP) are widespread in performing artists and are due to the special demands of instrument playing, singing or dancing. Additionally, various other factors might contribute to performance-related MP. To provide a specific physiotherapeutic management for performing artists it is important to gain information about the performing art, the individual demands and contributing factors. The subjective examination (SE) is the basis of the clinical reasoning process and the hypothesis forming for further clinical examination and biomechanical analysis. In the present protocol, the SE consists of a questionnaire-based section and an interview-based section and is part of the evaluation process of the neuromusculoskeletal examination of a performing artist specific reference laboratory.
purpose: To develop a standardized SE protocol divided into a questionnaire-based section (Part 1) via web application and an interview-based SE (Part 2) to address MP of performing artists.
methods: The questionnaires for part 1 were selected based on the expertise of the research group and the psychometric properties of each possible questionnaire. A common physiotherapeutic recording of findings which addresses the relevant questions of the SE of MP was used. To adapt the anamnesis to performing-associated MP questions specific to instrument playing, singing and dancing were selected on the basis of a literature search and the expertise of the research group.
summary of content/results: Part 1 consists of three topics. (1) information about the performing art, professional level and sociodemographic data, (2) information about pain and pain processing, and (3) the anatomical location of the main MP including a body region-specific questionnaire. Part 2 is based on the five aspects of clinical practice described by Maitland and the Musculoskeletal Clinical Translation Framework by Mitchell et al. The performing arts specific part is particularly focused on performing art specific considerations, physical and psychosocial contributing factors and art-specific activities.
significance: This standardized SE protocol should help clinicians evaluating the musculoskeletal health of performing artists in a standardized and specific way.
rationale: Musculoskeletal problems are widespread in performing artists and are due to the special demands of instrument playing, singing or dancing. Additionally, various other factors might contribute to performance-related musculoskeletal problems. In order to provide a specific physiotherapeutic management for performing artists, it is important to gain information about the performing art, the individual (biomechanical) demands and contributing factors. The subjective examination is the basis of the clinical reasoning process and the hypothesis forming, which is important for goal setting in further clinical examination and biomechanical analysis. In the present protocol, the subjective examination consists of a questionnaire based section and an interview based section and is part of the evaluation process of the neuromusculoskeletal examination of a performing artist specific reference laboratory.
purpose: The aim of this study was to develop a standardized protocol for an interview based subjective examination of performing artists with musculoskeletal problems. The results of this section of the subjective examination will be combined with the results of the questionnaire based subjective examination , in order to gather as much relevant information as possible to specifically address the individual’s musculoskeletal health status.
methods: A common physiotherapeutic recording of findings which addresses the relevant questions of the subjective examination of musculoskeletal problems was used. In order to adapt the anamnesis to performing-related musculoskeletal problems, questions specific to instrument playing, singing and dancing were selected on the basis of a literature search and the expertise of the research group.
results: The protocol is based on the five aspects of clinical practice described by Maitland and the Musculoskeletal Clinical Translation Framework by Mitchell et al. (2017) .The performing art specific questions especially address (1) performing art specific considerations including style, genre, education and professional level, practice habits, repertoire, and external factors, e.g. concert conditions, (2) performing art specific physical and psychosocial contributing factors, and (3) performing art specific activities which trigger the musculoskeletal problems and help to form hypotheses for the following clinical examination. Individual tracks lead through the subjective examination so that irrelevant questions are skipped depending on the kind of musculoskeletal problem and the performing art practiced by the individual client.
conclusions: A pretest of this standardized anamnesis protocol is ongoing in a special physiotherapy clinic for performing artists since spring 2022. In an iterative approach, the protocol will be continuously improved based on patient feedback and clinical considerations.
Background: Musculoskeletal problems (MP) are widespread in performing artists and are due to the special demands of instrument playing, singing or dancing. In order to specifically evaluate these problems, a reference laboratory is under development. The evaluation covers 4 steps: a subjective examination (SE) including (1) a questionnaire-based online survey and (2) an interview-based anamnesis. On the basis of the results of the SE, hypotheses are formed for (3) an individual musculoskeletal clinical examination and a (4) biomechanical analysis. Here, the focus is on the clinical examination.
Purpose: to develop a standardized protocol for a clinical examination addressing especially musculoskeletal problems in performing artists.
Methods: A common physiotherapeutic clinical examination should be supplemented with techniques, which are specific to performance-related musculoskeletal problems and/or their risk factors. The development was based on a literature search and the clinical expertise of the physiotherapeutic research group.
Summary of content/Results: The performing arts specific clinical examination includes the common analysis of posture as well as passive/active movement capacities and specific differentiating tests in relation to the signs and symptoms of the individual artist. The examination is supplemented by a functional demonstration focusing on the special demands of playing the respective instrument, while singing or dancing. Common overuse risk factors like hypermobility, special anthropometric data or an examination of the motor control of different body regions are addressed. Optional, the various parts of the examination process could be skipped, if not relevant for the individual artist.
Significance: This clinical examination protocol should help clinicians evaluating the musculoskeletal health of performing artists in a standardized and specific way.
There is clinical evidence that cervical lateral glide (CLG) improves neurodynamics and alleviates pain in patients who suffer from neurogenic arm pain. Cervical lateral flexion (CLF) is also a treatment method and a means of testing neurodynamics. However, for both techniques nerve movement has not yet been investigated using ultrasound imaging (US). The purpose of this study was to quantify median nerve movement in the arm during CLG and CLF. For this study 27 healthy participants were recruited. Longitudinal movement of the median nerve was measured using US during CLG and CLF with the shoulder in 30° abduction in the middle and distal forearm (Fad). Data could be obtained from 11 participants (6 women and 5 men, average age 25.6 years, ±2.25) at the middle forearm (Fam) and from 9 participants (5 women and 4 men, average age 27.2 years, ±2.75) at the Fad. When applying CLF, the median nerve moved 2.3 mm (SEM ± 0.1 mm) at the Fam. At the same measuring point the median nerve moved 3.3 mm (SEM ± 0.3 mm, p = 0.005) by applying CLG. At the Fad the difference between CLF and CLF amounted to 0.6 mm (CLF: 1.9 mm (SEM ± 0.2 mm, CLG: 2.5 mm (SEM ± 0.2 mm, p ≤ 0.05). The movements during CLG are larger than during CLF. This difference is statistically significant. However, the statistical relevance cannot be extrapolated to a clinical relevance.
Slackline Training „live“
(2013)
Rationale:
Dance as an intense kind of performance is associated with high loads on the musculoskeletal system. In particular, the lower limb is exposed to these high loads, which is reported by a high prevalence. Most dancers are affected by injuries during their careers, most in the lower limb. Typical risk factors for dancers include the compensatory turnout, hypermobility, and core stability. The correlation between these factors and lower limb injuries is not fully understood.
Purpose:
The aim of this study was to evaluate the correlation between lower limb injuries and the risk factors compensated turnout, hypermobility and core stability. Based on these results, hypotheses can be generated for further studies.
Methods:
This explorative pilot study was conducted at Osnabrück University of Applied Sciences. All eligible participants were scheduled for a single research appointment if they fulfilled the inclusion criteria of dance experience (ballet, modern, contemporary or jazz) at least one year with dance lessons of at least 5 hours per week. Parameters for the correlation analysis were (1) core stability, measured by the motor control tests battery proposed by Luomajoki, (2) hypermobility, measured by the Beighton Score (3) compensated turnout, measured by the difference between functional turnout and external rotation of both hips, (4) dance hours per week, (5) dance experience in years, (6) professional dance experience in years and (7) dance style (ballet, modern, contemporary, jazz). These parameters were correlated with the numbers of lower limb injuries. Significance level was set at 90% because of the explorative character of the study with the purpose to generate hypotheses.
Results:
Sixteen female dancers with different levels of dance experience (mean 11.3 years) and dance lessons per week (mean 17.6 hours) fulfilled the inclusion criteria and participated in this study. Significant correlations with the numbers of lower limb injuries were found at core stability (rs=0.489, p=0.034, medium effect), dance hours per week (rs=0.459, p=0.048, medium effect) and professional dance experience in years (rs=0.396, p=0.093, medium effect). Two dance styles (modern dance: rs=0.388, p=0.101 and contemporary dance: rs=0.385, p=0.104) were close to the significance level.
Conclusions:
These results show correlations between core stability, dance hours per week, professional dance experience in years and lower limb injuries in dancers.
Due to the limitations of a small and heterogeneous sample size as well as the medium effects, these results should be interpreted with caution, but may provide a basis for further research to this topic in the field of dance research and can be helpful in generating research hypotheses.
Rationale:
Performing artists are exposed to high strains during their performance. These strains are similar to the ones of professional athletes, but in contrast to athletes there is a comprehensive undersupply of care regarding preventive and rehabilitative therapy offers.
Purpose:
The purpose of RefLabPerform is to develop a reference laboratory for the assessment of neuromusculoskeletal disorders using physiotherapeutic assessment methods in combination with biomechanical motion analysis. This includes the automatized integration of the physiotherapeutic assessments with the technical biomechanical analysis for an individual treatment recommendation with decentralized health care recommendations for a home-based therapy based on evidence-based prevention and rehabilitation strategies.
Methods:
Several work packages are processed systematically, whereby according to the requirements in the course of the project an overlapping of work packages occurs. First, the component planning of the innovative reference laboratory structure is carried out, on which the clinical and technical development of the reference laboratory is based. The next steps are the development of individual clinical assessment protocols, prevention and rehabilitation strategies as well as the setup of the laboratory and the development of technical routines. Parallel to this, various analysis tools are being developed for biomechanical data as well as for physiotherapeutic diagnostics and merged at the end of this work package for individual results for different groups of performing artists. Overlapping with the previous work packages, the reference laboratory will be tested for application and manageability. Clinical and technical data are brought together and checked by means of individual case trials on various groups of artists. In terms of an agile software development process, the results flow back into the previous work packages in order to optimize them and then test them again.
Results:
At the end of the project a functional and proven reference laboratory for the comprehensive analysis of performing artists will be developed.
Conclusions:
This reference laboratory is specialized to the diagnosis and treatment of playing- and performance-related dysfunctions with a focus on clinical findings and biomechanical movement analysis.
Educational Objectives:
At the end of the presentation, the participants will be able to…
1. describe the innovative content of the project RefLabPerform
2. understand the advantages of merged analysis strategies by physiotherapeutic and biomechanical examinations
3. understand the complex interdisciplinary process to develop a reference laboratory for performing artists
Rationale:
Performing artists are exposed to high strains during their performance. These strains are similar to the ones of professional athletes, but in contrast to athletes there is a comprehensive undersupply of care regarding preventive and rehabilitative therapy offers.
Purpose:
The purpose of RefLabPerform is to develop a reference laboratory for the assessment of neuromusculoskeletal disorders using physiotherapeutic assessment methods in combination with biomechanical motion analysis. This includes the automatized integration of the physiotherapeutic assessments with the technical biomechanical analysis for an individual treatment recommendation with decentralized health care recommendations for a home-based therapy based on evidence-based prevention and rehabilitation strategies.
Methods:
Several work packages are processed systematically, whereby according to the requirements in the course of the project an overlapping of work packages occurs. First, the component planning of the innovative reference laboratory structure is carried out, on which the clinical and technical development of the reference laboratory is based. The next steps are the development of individual clinical assessment protocols, prevention and rehabilitation strategies as well as the setup of the laboratory and the development of technical routines. Parallel to this, various analysis tools are being developed for biomechanical data as well as for physiotherapeutic diagnostics and merged at the end of this work package for individual results for different groups of performing artists. Overlapping with the previous work packages, the reference laboratory will be tested for application and manageability. Clinical and technical data are brought together and checked by means of individual case trials on various groups of artists. In terms of an agile software development process, the results flow back into the previous work packages in order to optimize them and then test them again.
Results:
At the end of the project a functional and proven reference laboratory for the comprehensive analysis of performing artists will be developed.
Conclusions:
This reference laboratory is specialized to the diagnosis and treatment of playing- and performance-related dysfunctions with a focus on clinical findings and biomechanical movement analysis.
Educational Objectives:
At the end of the presentation, the participants will be able to…
1. describe the innovative content of the project RefLabPerform
2. understand the advantages of merged analysis strategies by physiotherapeutic and biomechanical examinations
3. understand the complex interdisciplinary process to develop a reference laboratory for performing artists
Bert Hummel hat seit zwei Wochen starke Schulterschmerzen. Seit Kurzem schwindet zudem seine Kraft in der Schultermuskulatur. Sein Hausarzt diagnostiziert ein „zervikobrachiales Syndrom“. Doch für Physiotherapeut Harry von Piekartz stellt sich die Schulterproblematik ganz untypisch dar. Das gilt besonders für die neurologischen Symptome.
Ernst Kober ist seit mehreren Monaten krankgeschrieben – aufgrund von Schmerzen im Nacken, Rücken und der Hand. Er denkt, seine Arbeit sei der Grund für seine Beschwerden – eine Yellow Flag? Physiotherapeut Harry von Piekartz findet noch mehr dieser Flaggen. Doch es stellt sich heraus: Deren Farbe hätte eigentlich eine andere sein müssen.
Seit der Trennung von ihrem Freund klagt die 32-jährige Anne über morgendliche Kopfschmerzen, Parästhesien am Hinterkopf, Schwindel und verspannte Kiefermuskeln. Lange bleibt für ihren Hausarzt, die Psychologin und Physiotherapeut Professor Harry von Piekartz unklar, was die Symptome auslöst. Denn der Unruhestifter ist unsichtbar.
Mitten in der Vorbereitung auf ein Turnier bekommt Wasserballerin Anja stechende Schmerzen in ihrer linken Flanke. Physiotherapeut Dr. Harry von Piekartz vermutet zunächst eine Nierenpathologie. Doch die bestätigt sich nicht. Bei der körperlichen Untersuchung entdeckt der Therapeut die eigentliche Schmerzquelle: eine Laune der Natur.
Als Jane mit ihrer kleinen Schwester tobt, schießt ihr plötzlich ein starker Schmerz in Nacken und Kopf. So weit nicht ungewöhnlich und eine Indikation für Physiotherapie. Doch als die junge Studentin erzählt, dass der Kopfschmerz pulsierend ist, wird ihr Therapeut hellhörig und stellt die entscheidenden Fragen.
Seit Jahren schon hat Sarah J. das Gefühl, immer müder und weniger belastbar zu werden. Selbst im Garten schafft sie kaum noch was. Liegt es wirklich nur am Verlust ihres Mannes? Zunehmende Zahn- und Kieferschmerzen und Schmerzen im Thorax führen sie zur Physiotherapie. Dort rückt eine andere Vermutung in den Fokus.
Sabine Krener ist enttäuscht. Sie bereitet sich auf einen Halbmarathon vor, hat aber zunehmend Probleme beim Laufen. Dass ihre Achillessehne schmerzt, kennt sie schon seit Jahren – nun wird es aber schlimmer, und es treten zudem ständig Krämpfe im rechten Bein auf. Zu allem Überfluss hat sie in den letzten sechs Wochen acht Kilo zugenommen.
Nach einer Bandscheiben-OP entwickelt Ina Zeiß diffuse Schmerzen im linken Bein und dumpfe Kopfschmerzen. Auch der seit fünf Jahren bestehende Tinnitus hat sich verstärkt. Die Symptome sind sehr wechselhaft und nicht durch Physiotherapie zu beeinflussen. Physiotherapeutin Fiona Morrison merkt schnell, dass dies keine typischen postoperativen Beschwerden sind, und schickt die Patientin zurück zum Arzt.
Renate K. hat Schmerzen im Nacken, in der Schulter, im Arm und in der gesamten Hand. Doch die Symptome kommen Physiotherapeut Prof. Dr. Harry von Piekartz seltsam vor. Sie entsprechen keinem muskuloskeletalen Muster. Zudem ist Frau K. grundlos heiser – und hat eine verdickte Stelle hinter dem M. pectoralis major.
Ein Fallbericht mit medizinischem Hintergrundwissen von Prof. Dr. Christoff Zalpour.
Beate Hansen kommt mit akuten thorakolumbalen rechtsseitigen Schmerzen in die Physiotherapiepraxis von Harry von Piekartz. Auf den ersten Blick scheint sie ein klassischer „manueller“ Fall zu sein. Warum sie es nicht ist und was eine Diät mit Rückenschmerzen zu tun haben kann, lesen Sie in diesem Fall.
Der 8-jährige Roy kommt wegen massiver Kopfschmerzen in die Praxis des Physiotherapeuten Dr. Harry von Piekartz. Dieser entschließt sich zu einer Mobilisation des Neurokraniums. An den beiden nächsten Tagen geht es Roy so gut wie seit langem nicht mehr. Am dritten Tag jedoch verschlechtern sich seine Symptome dramatisch.
Sarinee, eine ehemalige professionelle Ballerina, leidet unter Schmerzen im Hüftgelenk. Physiotherapeutin Jutta Affolter Helbling findet keine Red Flags, kann die Symptome in der Untersuchung reproduzieren und arbeitet nach und nach alle muskuloskeletalen Komponenten ab. Bei jeder Behandlung verbessern sich Sarinees Beschwerden - um danach wieder schlechter zu werden.
Prof. Harry von Piekartz arbeitet als Physiotherapeut in den Niederlanden. Im Direct Access muss er erkennen, ob Physiotherapie indiziert ist oder ob er den Patienten besser zum Arzt schickt. Bei Herrn S. wird er stutzig. Denn dieser hat nicht nur Rückenbeschwerden, sondern auch Schmerzen beim Wasserlassen.
Ein Fallbericht – mit medizinischem Hintergrundwissen von Prof. Christoff Zalpour.
Ina Groß hat starke Schmerzen in den Beinen. Angefangen hat ihre Krankengeschichte vor zweieinhalb Jahren. Nach einer Bandscheiben-OP scheint alles gut, aber dann tauchen die Schmerzen wieder auf – und zudem Taubheitsgefühle und Schwäche im rechten Bein. Da stößt Physiotherapeutin Renate Wiesner auf einen Nebenbefund.
Otto Frisch, ein 74-jähriger Rentner, hat starke Rücken- und Beinschmerzen. Der Arzt diagnostiziert eine Ischialgie, spritzt ihn und verschreibt Ibuprofen. Aber nichts hilft, die Schmerzen werden unerträglich. Als Otto Frisch zu Physiotherapeutin Fiona Morrison kommt, schrillen bei ihr schnell alle Alarmglocken.
Paul Brand, 51 Jahre, hat seit sechs Wochen Schmerzen im rechten Nacken-, Hals- und Schläfenbereich. Zudem plagen ihn im rechten Auge pulsierende Schmerzen. Vor acht Wochen war er mit dem Rad auf Glatteis ausgerutscht. Doch in der Therapie wird schnell klar, dass der Unfall nichts mit den jetzigen Beschwerden zu tun hat.
Ludwig ist irritiert. Auf seiner rechten Schulter hat sich eine sichtbare Beule entwickelt, die vor allem am Schreibtisch Schmerzen auslöst. Seinem Hobby, dem Kickboxen, kann er glücklicherweise noch nachgehen. Da die Beule weiter wächst und ihn seine Freundin darauf aufmerksam macht, dass er seinen Kopf schief hält, geht er zum Arzt und schließlich zu Physiotherapeut Prof. Dr. Harry von Piekartz.